A sculpted panel at the Gupta-period (4th-6th century CE) caves of Udayagiri, Madhya Pradesh, India. The caves are rock-cut Hindu shrines and this panel shows Vishnu as the boar-headed incarnation Varaha. The god rises from the cosmic waters, defeating the primeval serpent monster, and rescuing the goddess Bhudevi (earth), who hangs from his tusk.
This winged ibex was a handle for a metal amphora-shaped vessel, made in the 4th century BCE in Achaemenid Persia. This high level of detail was achieved through the use of lost-wax technique.
It has been suggested that this piece of art resembles both the god Bes and the Greek god Silenus, which may indicate that a Greek artisan made this piece of art.
Louvre Museum, Paris. Sully wing, ground floor, Room 12a.
W: 15 cm
Mosaic depicting musicians, signed by Dioskourides of Samos. The mosaic shows an episode from a comedy since the figures are wearing theatrical masks. The figures are playing musical instruments often connected with the cult of Cybele: the tambourine, small cymbals and the double flute. The mosaic was found in the so-called Villa of Cicero near Pompeii and dates to the 1st century BCE. It was made with tiny tesserae, in a technique called opus vermiculatum. (Naples National Archaeological Museum)
The temple of Zeus Lepsynus at Euromos, located in the ancient region of Caria, is one of the best preserved temples in Turkey. The temple was built in the Corinthian order in the 2nd century CE (probably during the reign of the emperor Hadrian) on the site of an earlier Carian temple.